Review
Don’t get too bogged down in the headline. It mostly applies to the first act of “The Last Duel,” in which director Ridley Scott...
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Review
The first act of Leos Carax’s Cannes opener (the festival, not the utensil), is deceptive. This is not because it opens with a meta...
Review
“The Suicide Squad” isn’t so much a reboot or a sequel to 2016’s “Suicide Squad” as it is a complete do-over — and this time,...
Review
Director David Lowery’s part Christian allegory, part coming-of-age story of shame is more than worth viewing; it’s the yet unmatched cinematic joy of the...
Review
There is something primal about the fear of aging. We fight against withering for our immaturity, hoping to preserve that youthful glow. How unaware...
Review
“Pig” may be the strangest movie to come out this year — but only in concept. The film is calm, measured, and generally sophisticated....
Review
The first “Space Jam” movie was created to sell more Air Jordans, introduce the Looney Tunes to a new generation for profit, and help...
Review
The neon-noir wave of over-the-top action headlined by films like “John Wick” and “Atomic Blonde” has its imitators. Redbox-quality imitators like “Nerve” or “Guns...
Review
“Black Widow” tries to accomplish a lot with a typically-sidelined character and her three new side-kicks. Natasha Romanoff is a cool, calm, and collected...
Review
Imagine you’re in the mood for a delicious burger. You pull into a fast-food drive-thru and order your reliable number from the menu. Except...